Dalibert, Melaine

Eden Fall

His music, often daring in its stretching of time, exploits the resonant properties of the piano and challenges our subjective perception of time, akin to the styles of Morton Feldman, Brian Eno, or Ryuichi Sakamoto. It allows for both detached listening and invites engaged exploration, as listeners are enveloped in the subtle determinism of algorithmic patterns.

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